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john zibell (he.him)

practice as research (PaR) scholarship on image, montage, and the training body

practices include :: directing/devising, writing, and acting [cinema, theatre, performance art]

theoretical points of focus :: the image/event, technicity, traditional knowledge systems [20th century western actor training], the game, virtuality, exhaustion, play

featured works


labor

workshops

currently working at the University of Salford. i’m also conducting workshops in collaboration, devising for cinema, theatre games and improvisation as well as in devising for various media

collaboration

i am currently engaged in a few projects around [1] devising practices for cinema and [2] theorizing co-presence with camera [see my CV]. if our work overlaps and you are interested in collaborating please message me below

read my writing

as i revise my dissertation for publication i may post sections of it here as a sort of blog


about me

i trained as an actor and improviser in New York with mike nichols, paul sills and george morrison and many other gifted artist/teachers. i began teaching/coaching actors and improvisers the year i graduated from conservatory

i wrote, directed, and acted in two feature films [some shorts, docs, and industrials] and originated the role of jimmy patraglia in joe roland’s off-broadway play On The Line – produced by nichols

then, i did an mfa – theatre/directing – and a practice as research phd. now i study body practices and camera practices

i’ve collaborated over the years with my dear friend Guillermo Gómez-Peña of la pocha nostra

i’m also a lecturer in film production at the university of salford


latest CV at this link:

contact

send me a message